by Rzarek » Tue Mar 02, 2010 1:58 pm
Hi!
Thanks a lot for your advice! Finally I managed to prepare an acceptable version (at least acceptable for me, as my client is... incredibly demanding... never met anyone like this one before!).
First of all, using Audacity, I precisely faded all that damn "s", "sh" and palatal s "¶" (as you see, we've got quite a lot of sybillants in Polish). That was kind of useful due to another reason - after zooming I spotted some more artifacts which emerged after denoising.
Then, as V/M suggested, I considered using compressor. Without it, the voice seemed rather dull. But apart from the sybillants, there were too many defects in the recording (eg. some denoising jitter) which got exposed after compressing. So I decided not to use compressor as it brings more harm than profit in this case. By the way, on Sunday I found Paul White's "Recording and Production Techniques" in the bookstore. The chapters about Vocals and Dynamics Control were really useful to understand my problem.
I decided to do some kind of compression manually, creating a precise amplitude envelope in Audacity. Well, it's not what actual compressor does, but the track souded better.
I put that clean voice track into OP and added rendered song on the second channel.
Next i tried that Spitfish on the voice track. Very easy to use and effective, I have to admit. Well, probably my ear is not trained enough to hear its muddiness, it seems quite OK for me.
The track started to sound decently, but I decided to do some EQ treatments. I used spectrum analyser and noticed that "s", "sh" and "¶" appear in different ranges, so I delicately lowered their gains with PEQ.
Finally I tried "ducking" technique of which I read in White's book - I put compressor on the song and sidechained it to the voice track. Then I used an exciter on master bus.
Well, probably these are some complete basics of audio editing, but I am really happy I've learnt something;).
Last edited by
Rzarek on Thu Mar 18, 2010 5:27 pm, edited 1 time in total.