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DaZoid wrote:to ...
Ableton, I'd say.
bones wrote:I think Ableton is very specifically a dance music tool and is built around the ability to do things I would never, ever want to do. Specifically, that is arranging on the fly. I rehearse a set dozens of times before we get up on stage. Our arrangements remain constant - we always try and deliver the best possible version of every song, not the one we feel like throwing out (and away) on any particular night. We work on the assumption that people are there to hear us, not that we are there to play for them. For that reason I would never consider Ableton.
bones wrote:DaZoid wrote:to ...
Ableton, I'd say.
I think Ableton is very specifically a dance music tool and is built around the ability to do things I would never, ever want to do. Specifically, that is arranging on the fly. I rehearse a set dozens of times before we get up on stage. Our arrangements remain constant - we always try and deliver the best possible version of every song, not the one we feel like throwing out (and away) on any particular night. We work on the assumption that people are there to hear us, not that we are there to play for them. For that reason I would never consider Ableton.
dmassive wrote:knechtodawas, ¿could you export your keymaps and piano roll custom toolbar config, and upload to this forum?
Christophe wrote:Arranging on the fly is one of the possibilities of Ableton, but you can use ableton like you want
my collaborator don't use the session mode at all
bones wrote:If I were ever to replace Orion, it would absolutely have to be with something else equally mixer-centric, pattern based or otherwise.
funky koval wrote:No idea where you got the idea that Orion is targeted at a different group than Live. They're pretty much the same in concept, clip(pattern based) sequencers with the ability to drop and modify the patterns in a playlist. So Live lets you trigger clips from a grid controller. Orion could do the same if pattern triggering was implemented.
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