I got the 25 key version kind of cheap which, of course, is a relative term. Over here they retail for Au$1400 but most places advertise them for just over Au$1100. One retailer was having an end-of-financial-year sale and had dropped it to Au$1011. On the last day of their sale, eBay added an extra 15% off, so I got it for Au$859, delivered, which is about US$670, including taxes. That makes it the biggest single purchase I've made in many years for what is essentially just a controller keyboard but with the bundled software it is really a whole lot more than that.
Using Roli's Equator synth as a standalone gives you amazing expressive powers even if, like me, you're not much of a keyboard player. I found I very quickly adopted a whole different playing style, where I basically rest my fingers on the keys and just press down to play. If I play like I normally would, the velocity response (which they call "strike") is too sensitive and you end up always hitting too hard. It's also very easy to hit slightly off-centre and get the wrong note, so resting your fingers sorts that out, too.
Once you get into it, it becomes totally mesmerising. Some of the things you can do are just mind-blowing. e.g. One patch gives you ensemble strings when you play a key but as you slide your finger up the key, the timbre changes to a male choir. OK, that's something you could set up with Orion's Sampler and a mod wheel, only this does it on a per note basis, so I could hold a chord with my left hand that kept playing strings while notes with my right hand could slide up to morph into the choir. And with the full-width controllers you get above and below the keyboard, you can create some amazing FX-scapes without hitting any keys at all. It is very addictive once you get into it.
Unfortunately, none of the magic works inside Orion, where you have to change the Roli's mode to normal MIDI to get it to work at all. When you do that you lose all the extra control you get from the standalone synth. That said, it's still a decent enough MIDI controller and it will play anything in Orion as well as any other controller. You can even assign MIDI CCs to the other modes of expression and get some response that way, although I am not at the stage of trying that out, yet.
At least I can run the standalone synth and Orion at the same time, by running one through my audio device's ASIO and the other through ASIO-4-all or the recently added Realtek ASIO driver for the on-board soundcard. It just means I have to change sounds on Equator manually but the Rise has patch up/down buttons so that's not a chore.
Perhaps the biggest disappointment is that it only has USB MIDI, so I can't plug it into my Rocket or Pulse 2. That works out OK, though, because if I am using the Rise and Equator together, I still need a controller for Orion anyway. Overall, then, it feels more like adding yet another new hardware synth than a new controller which is fine, given the hardware kick I've been on lately. (I will be selling the Minilogue and Monologue to pay for it, though.)
It comes with an 8-track version of Bitwig, which supports all the crazy controller stuff, so this might end up being a real motivator to move on from Orion, after around 17 years. As we start work on our next album, I am going to use Bitwig to see if I can make it work for us. The biggest hurdle will be finding a replacement for Wasp but I think DUNE can do it well enough, and Rocket can do it really well, so that might not be a huge hassle.